From the Author: I’ve been away for a bit. In fact, I’m technically taking off through the first half of February from blogging, but that’s subject to change, as you can see here! Last week, I had a lovely holiday in Penzance, and if you’re curious, you can see some photos from my trip here. It was a great chance to relax and rewind all by myself, and frankly I love the sea in the dead of winter.
On to our story….
Some of you know I’ve recently been very interested (some might say “obsessed”) with the Belle Époque, particularly with the lives of prominent women in Paris. Now, by “prominent women”, I do not mean the wives of important men. No; I mean women who did just fine on their own, thank you, sometimes with the help of an influential man (or several), but always under their own names. I’ve investigated several of these women, and probably my favourite resource is this one. It’s full of images of postcards of the era. Through this, I became fascinated with the life of Cleo de Merode, one of the most famous of these women.
Cleo never showed her ears in photographs or in public. There were wild speculations. Some gossips suggested she didn’t actually have ears at all!
The mysterious Cleo de Merode
Ah, the mysterious Cleo de Merode: known to many, known by few. Of course, as a Fae Queen, I have a different set of resources than those available to just anyone, so when I became interested in these women and their fashions and the way they comported themselves around Paris (or even America’s Gilded Age), it was only natural for me to delve a little deeper.
And once I’d done that, the secret of Cleo de Merode’s ears was only to simple to divine:
She was, of course, Fae
She was, of course, Fae. This is a memory picture from one of our own, transcribed from the mind of a Fae Parisian contemporary of hers. The gentlefae was quite enamoured of her, but of course Mme de Merode never took a public partner, though she was romantically linked (e.g. “gossiped about”) with many gentlemen of the day.
Famously obsessed over by Belgian King Leopold II and much beloved of Austrian painter Gustav Klimt, Cleo’s profile was particularly famous.
Of course, Klimt never had the opportunity to paint her like this.
Of course, Klimt never had the opportunity to paint her like this, with her hair brushed out of the Marcel Wave recently made popular, and her ears uncovered. One assumes that perhaps her glamouring skills were low, or maybe she just had difficulty concentrating on several things at once, as most of us learn how to glamour our ears to look human at a fairly young age.
Mists of Paris
Pictured here on the balcony of her Paris flat, she must have felt comfortable that no human eye would catch her in the mists (possibly natural; possibly fae) as she spent time with close Fae friends and allowed herself a few moments of natural reflection.
As it’s my latest obsession, I’ll certainly be talking more about the Faeries of the Belle Époque and Fae Paris. And besides, the clothes were to die for!
Style Card:
Body: Maitreya
Head: Catwa, Steffi Bento Mesh Head
Skin: Lumae, Catwa Neoma in T1 (All current Lumae Skin Lines are on sale at the Lumae Main Store for just L$100 apiece)
Hair: Exile, Hana (New at the Soiree Event)
Ears: Swallow, Shiny Elf Ears
Clothes: Belle Epoque, Undimmed Eyes (gloves, trousers, shoes, and shirt) (These are available at The Epiphany until 12 February—Belle Epoque is the first place I look whenever I need something vintage-y and classy)
Environment:
Paris Flat: Minimal, Paris Views Scene (At Uber)
Poses: All from An Lar
Three Twisted Knots 